Posts Tagged ‘drawing’

Safety First!

Tuesday, April 16th, 2013

Work on my comic is proceeding in a precessionary manner.

I’m in the middle of the coloring process, and it is going quite slowly. In the 10 mornings that I have worked on this book in April, I have finished coloring three pages. It’s a slow process.

For the first week and a half of April I was flatting the book, which was excruciating, until I got a tip to use the BPelt plugins, which sped things up a bit. Flatting was still a long process, even with the plugin, due to my sloppy ink work. I’ll tell you, I think I’ve learned as much about inking from coloring the book, as I have from the inking itself.

I’m not going to share the page I finished today, I want to keep some of the story under wraps after all.

Instead, I’ll share this neat safety procedure that I had to whip up for the background of a couple panels.

Moon Safety

On the moon, safety is critical. If your suit has any leak in it, the suit will decompress, as will you.

Lunarch Corp does not want to lose any workers due to any sort of safety accident, hence the double check procedure. You check every seam in your suit, then one of your teammates checks all of the seams again, to make sure it is properly sealed.

100% Safety record is the Lunarch standard!

Moonside Seal Check Procedure

Safety Is Job Number One

Making Comics

Monday, February 25th, 2013

I haven’t made a comic book since I was 12 years old.

Something’s not quite right about that, so I’m fixing it.

Panels

Comic book pages in the wild.

I decided I wanted to do this project last year, a little before San Diego Comic-Con. I go to Comic-Con every year, and every year, I leave both inspired to create something, and a little dejected, because I haven’t created something.

I decided last year that I would fix that before San Diego Comic-Con in 2013.

My goal was to get one page done a week. With all the extra set backs that are always a part of any project, I figured I could complete a thirty-two page comic in a year.

I started out strong, got one page pencilled and inked, and a second page pencilled. Then I sorta… fell behind. Stopped completely may be how some people would describe what happened.

About a month ago, I started up work again. Thanks to the #HOVD crew, I’m getting about a page a week done again. Four pages in the bag, with a fifth started.

(More on HOVD in the future. Short version: it’s amazing.)

I’m starting simple, an 8-page story. When I get that done, I’ll do another. When I get that done, I’ll do another.

These stories are sacrifices to the deities of comic creation, they are hungry for terrible pages by young artists, which they which to chew and grind, rend, and tear, until the artist stops creating terrible pages, and starts making good pages.

My story is about a guy with a lousy job, and his dreams for something completely different. To make it more fun and exciting, I set it in the future. On the moon.

I like the moon, after all. Who doesn’t. Plus, with it taking place on the moon, I get to draw cool stuff, like this Moon Van I drew this morning.

Moon Van

At least on the Moon the company gives you a ride to work

Yup. Pencil. White correction fluid. Coffee stains. Making comics is not a clean, tiny endeavour.

More coming on this in the (near) future, of course.

The Working Dead

Thursday, April 19th, 2012

It might be a bit telling that during a conference call yesterday, I doodled this in my daily planner.

The Working Dead Ink Drawing

The Working Dead Ink Drawing

During the meeting I did a quick pencil doodle, and inked it in during my lunch break.

Let’s back up.

Yesterday morning, my alarm went off at 6:30 am, like it always does. In my haze of half-sleep, my first thought was, “why is my alarm going off on Saturday?”

When I realized it was only Wednesday morning, I thought something might be a bit off. I’m been pretty burnt out with the Day Job, and realized I needed a few days away. I looked at my schedule, and realized I could take a couple days off, and so here I am, resting up, and having a “mental health” day, as my Dad would say.

Also gives me time to post again here, and work on a “proof of concept” for an idea I’ve had brewing.

Oh, hey! Now things are looking up!

Drawing the Sierras

Tuesday, August 30th, 2011

I went on a big old long backpacking trip for a week.

I managed to carry a pad of paper and pencils along with me, in addition to clothes, food, sleeping bag and tent (and various other required sundries).

We were in the Eastern Sierra.

I decided to steal an idea from my dad, and combine my notes and my drawings into a single page.

It turns out that most days, I was pretty beat after a day of hiking, and didn’t have a ton of time or energy for much other than setting up camp, getting fed, and falling asleep.

I did get a couple days of drawing in. This first is from the first night:

Big McGee Lake Pencil Drawing

Big McGee Lake Pencil Drawing

This second is after a couple days of hiking, we had a short day climbing up into Pioneer Basin:

Pioneer Basin Upper Lake Pencil Drawing

Pioneer Basin Upper Lake Pencil Drawing

Five Facts

Tuesday, April 19th, 2011
Watercolor Pencil Pear Drawing

Watercolor Pencil Drawing of a habit-forming Pear. Click on the image to see the bigger, better version.

  • A pear and yogurt is the best breakfast that an artist can eat. Eat this daily, and it will increase your energy, motivation, and creativity. The yogurt must be plain, unsweetened, and unflavored.
  • I am both untrained and unpracticed in any medium resembling watercolors. They are unwieldy and unpredictable (at least with my current abilities of prediction)
  • You must click on the image above to enlarge it to see the more interesting details about this drawing of mine. The texture of the paper, blending of the water colors, and way the pencil fell on the paper are more interesting than the image taken as a whole. This image is better enjoyed sliced into pieces, just as pears are better enjoyed cut into slices.
  • Humans are creatures of habit. The best way for a person to change their life is to change their habits.
  • Pears can be habit forming. And life changing. To the extent pears can change lives, that is.

Why, yes, I have been hiding from the internet under a rock

Thursday, August 12th, 2010

 

 

 

hiding under rock drawing

The internet is rather tricky

Three Insights about Deliberate Practice and Art

Thursday, July 8th, 2010

This is a rather “practical” blog post, just an update on what I’ve been doing. No mushy gushy fun stuff today, just practical nuts and bolts about improving drawing skillz. I’ve been doubling down on this Deliberate Practice thing, spending an hour drawing most nights, this is an update.

I don’t exactly know how Deliberate Practice works, and I’m not going to pretend that I do. I’m not going to write about it with authority when I’m not really an authority on the subject (despite the rules of Blogistan). Eventually, if I keep up my practice, I will have authority on this subject matter, at least with regard to the practice of Fine Art creation.

I’ve said before, and I still believe, drawing is the most important creative skill for an artist. Artistic skill begins with drawing skill, and is capped by drawing skill.

So I want more drawing skillz, please.

While before I just drew, with no plan other than to draw, now I am following a plan. I bought a drawing instruction book, Keys to Drawing to work through. The book has 50 or so exercises meant to develop certain skills. I have worked through the first 6 in the last week, all of which have focused on observation, and recreating what I see into lines and shapes.

So far, I can’t say whether I recommend the book or not, but having a list of exercises has been helpful. I don’t have to think about what to draw, I just have to do the work.

I’ve had some realizations about Deliberate Practice, I have some tips, observations, etc.

First, having a plan works. Well. The first guideline of Deliberate Practice is that it is specifically designed to improve performance. I bought the drawing book mentioned above to fill this requirement. The book is, after all, specifically designed to improve performance. It may not be the best course for me specifically, but it is, in general, designed to improve skill. If I had a drawing instructor, I might get a better program, but I’m pretty sure that any program is more important than no program.

Second, I have to set a timer. If I plan to draw for one hour, I have to set a timer for one hour and work until the timer goes off. Watching a clock doesn’t work, setting the timer does. The process of setting the timer commits me to what I am doing for the time I commit to doing it. Something about it just works. Timers may be the most valuable productivity tool on the planet.

Third, I’m getting worse. This one was unexpected. As I’ve been working through this book, I feel like I’ve been getting worse and worse at drawing. For example:

two sketches of vegetables, side by side

The tomatos on the left were drawn months ago, before I was following any course of practice. The pepper on the right was drawn last weekend, as a drawing exercise from Keys to Drawing

The drawing on the left was done a few months ago, before I implemented any structure to my drawing practice. The drawing on the right was done last weekend as part of my structured practice. I think the tomato on the left “looks better” than than the pepper on the right.

The tomato on the left, however, was drawn the way I usually draw, and have drawn for years. I just applied the skills I already had as best I could. When I drew the pepper on the right, I was looking at the pepper differently, because I was instructed to, and attempted to depict different things about the pepper, and in different ways. In other words, I was using different skills, and different ways to draw, that aren’t as well developed as my “usual” way of drawing.

The big realization for me is that by getting a little worse, I probably am actually getting better. The new skills that I learn,and work to implement into my skill set, aren’t as developed as other skills, so when I use them, it seems like I am worse.

Follow My Progress

I created a set in my flickr.com account, check out Sean’s Deliberate Practice Flickr Set, and follow along as I update it. I include a short description of each exercise with each of the drawings I upload.

Are you implementing Deliberate Practice into your routine? What are you doing? How are you doing it?

Deliberate Practice in Art and Drawing(Revisited)

Friday, June 25th, 2010

I’ve been thinking about deliberate practice in art a bit lately. I have time to revisit this, the spice mines aren’t taking as much of my time.

A little backstory, starting in late 2009. At the end of last year, I spent a while planning for 2010. I determined what I wanted to accomplish and how I was going to accomplish it. I had a plan in place, and it was good. “No plan survives first contact with the enemy“, however, and the new year saw me loaded up with work at DayJob. A lot of work (so much I only had a little time to send out a dispatch from the spice mines every now and then).

Things have shifted again, I’m still busy, but not so much that I’m working nights and weekends. My Utah trip was at a folcrum point. When I returned, work wasn’t requiring all my time like it had been for the first several months of the year.

I have time to dedicate to my art, but I don’t have a discipline of practice or schedule in place to make the most of it. Hence, time to revisit Deliberate Practice.

Deliberate Practice One Hour A Day

I’m going to mash 3 ideas together –

First, I want to revisit the idea of doing my most important activity for 1 hour every day. Drawing is the fundamental skill of art. If I am not improving as a draftsman, why should I bother?

Second, I want to create a clear program to improve my drawing ability. I just read Switch, by Chip and Dan Heath (of Made To Stick fame). The book is alright, but the topic is fascinating to me: how do people change? In the book, they focus on three ways to create change: our mind must know what to do, our emotions must be positive, and our environment must facilitate the change. 

Emotion? Check. I’m pretty motivated. Environment? Check. My apartment is filled with art supplies and places to draw. Clear plan in place? Che.. er, hmm. Maybe I’ll just, uh… draw something? Often, my hang up to drawing is, “what am I going to draw?” It is not a hard decision to make, but just having to make the decision makes the process harder. I am shopping for jam, and there are too many choices*.

What I need is a clear plan of study, so that when I sit down to draw for an hour every day, I don’t have to think about what to work on, I just continue with the plan. I just got one of those 33% off coupons for Borders, my plan is to buy a drawing instruction book on my way home from work today. I hope this will provide the type of structure that I am looking for, so I don’t have to deal with paralysis of analysis.

That said, if anyone has a suggestion for an intermediate to advanced drawing book, please don’t hold out on me. Leave a comment with a suggestion. 

Third, Deliberate Practice. As a refresher, here are the characteristics of deliberate practice:

  1. It is designed specifically to improve performance
  2. It can be repeated, a lot
  3. Feedback is continuously available
  4. It is mentally demanding
  5. Typically, it is not that fun

I think this plan will hit all of these cylinders.

Motivation

I was talking to my dear friend Ivana last night, I told her about my usual routine of working a bit in the morning, going to the DayJob all day, then working again in the evening. She pointed out it is rather a lot to do.

I started thinking about my motivation, because the productivity I am shooting for goes against the common view of what is “balanced”.

I think that what motivates me is imagining myself in 10 years, looking back at what I did over those years. I want to show that I accomplished something, grew my abilities, and did something.

The only way to do that is to work. A lot.

 

Notes:

The example of too much jam is from an often cited study in which shoppers were first shown a display of 6 flavors of jam in a grocery store. The number of sales were recorded, then the display was modified to show 24 flavors of jam. They sold less jam when there were more options, the conclusion is the more choices we have, the more difficult it is to make any choice at all.

Click here to go back up.

Dancing Through the Devil’s Garden

Tuesday, June 8th, 2010

Note: I spent last week in Utah, climbing and roaming around the desert in the middle of nowhere. These posts are about the things I saw, the places I climbed, and sometimes, the drawings I made. You can also read about climbing Angel’s Landing from the previous day.

From Tuesday, June 1

“This is the most beautiful place on earth.”

— Edward Abbey, speaking about the canyonlands of Utah, near Moab

I packed up camp Tuesday morning and started the 6 hour drive to Moab.

Dark Angel Arches National Park

Dark Angel, at the end of the Devil's Garden Primitive Trail loop

Moab is a small city in southeastern Utah about 3 miles from the entrance to Arches National Park. From what I can tell, the primary business is catering to people visiting Arches. There are restaurants, stores selling trinkets, and all sorts of “outdoor, adventure” themed hotels.

Just before Moab, I turned up the 128 to drive along the Colorado river and find a campground. I pulled into the first one I found, Goose Island Campground, pulled into the first available site along the river, paid my fees, dropped off a chair and tent, and headed for Arches.

By the time I got to the Park, it was late in the afternoon, about 3pm. Perfect time to start a long hike. I drove the windy road through Arches, past the paved lookout points and easy, 0.3 mile paved “trail” around Balance Rock, and finally got to the end of the road, Devil’s Garden trail head.

The first mile or so are an easy, well marked trail — essentially a developed dirt road. There may even be asphalt under the rocks, dirt, and sand along the trail. This ends at Landscape arch, and it is here that I went the primitive route.

Devil’s Garden is named for it’s fins. The rock has eroded in to leave long, narrow, and closely spaced walls of rock emerging up from the ground. This leaves tall rock walls, with deep, narrow canyons in between.

It is not unlike a pod of giant rock sharks, with huge dorsal fins, swimming impossibly close together, just underground, with only their rock fins in layers of brown, orange, red, and white sticking up above the earth.

Devil's Garden Arches National Park

The outskirts of Devil's Garden

These fins captivate me in a way I can’t quite explain. I think it is a combination of their orderliness, their giant size, and their peculiarity that intrigues me.

The primitive trail followed a sandy trail away from the main trail, towards the Garden. Soon, I was coming to the outskirts of the fins, and detoured from the trail to walk up one of the fins.

The fin I climbed sloped gently from the ground, and I quickly made it to the high point on the far end. The wind was blowing hard, and I broke out my pad and pencil to sketch out the neatly spaced walls of rock that were in front of me.

I sat on top of this rock, drank some water, ate a granola bar, and worked with my pencils for half an hour or so before turning around to climb back down.

Devil's Garden Pencil Drawing

Pencil Drawing of the fins of Devil's Garden

Soon after I rejoined the trail, it led me into one of the canyons between fins, and before I knew it, I was climbing up, through valleys, over large rocks, scaling sloped rock walls, and generally working my way far back into the middle of nowhere while weaving my way through this rock garden. Climbing Angel’s Landing the previous day made me much more confident on rocks, and I leaped, climbed, scaled, and lifted my way through this magnificent Garden.

I had the trail mostly to myself, I only came across one or two other groups of folks on my way. The solitude was peaceful, and I was able to focus on my footsteps and push myself along at a reasonable pace. The Devil’s Garden trail ends at Double-O Arch, and meets the main trail out to that Arch, which I took back.

But first, I found an Angel.

The Dark Angel is a rock about half a mile past Double-O Arch. It is a tall, dark, pillar of stone that sits out alone, not part of any nearby rock formation. I got to Dark Angel around 6pm, it was time to take a break. I got out my pad and pens, to draw the angel. I figured that if anything was worthy of breaking out the ink, it is the Dark Angel.

Dark Angel Ink Drawing

Ink Drawing of the Dark Angel

As I drew, flies, and other small, winged insects decided to repeatedly see how I tasted. I had to continually bat the flies from my face and arms.

Eventually, it was late, I was done drawing, and it was time to head back.

I took the main trail back from Double-O Arch, though it was about the same difficulty as the Devil’s Garden trail, just a shorter, more direct path. I made a few detours on the way, Navajo Arch, Partition Arch (which was so nice I would come back in a couple days), Pine Tree Arch, and Tunnel Arch.

As I walked back I thought about the Dark Angel, how it was so different from most of the other rocks out here. It sits apart from everything else, it is at the end of the most remote trail here. In a park of arches and fins of rock, it is a pillar, tall and erect, standing on its own.

I started to think of the Dark Angel as the mighty king of these canyonlands, and all of the Arches as his queens and concubines. I’m sure I can’t be the first to notice this obvious symbolism.

The sun was low in the sky when I got back to the trail head. I drank some water, and started the long drive back to camp. By the time I reached my camp, the sun had set, it was getting dark, and I was starved.

I made dinner in the dimming light, sausages and a can of split pea soup. By the time dinner heated up, I was using a flashlight to see what I was eating. I rolled out my mats and blankets in to the back of my truck, and went to sleep, under the stars, a dozen feet from the Colorado River.

Next: Threading the Needles