Posts Tagged ‘pencil’

Sketchbook: No Direction

Tuesday, September 25th, 2012
Sketch Study of Woman in perspective

Sketch of Woman in perspective

Direction is a strange thing.

Sometimes it’s there, and sometimes it’s not.

Lately, it’s been… not.

Usually I have the opposite problem: all direction, no time or energy. I still have no time, but I’ve had the energy, and I’ve been trying to figure out how to apply it.

When I start work on a new woodblock print, I know what the image is going to be. I always know before I even start drafting the image what it is going to be. My preparatory sketches are a chance to work out the details, but the main idea is there when I begin.

The imagery isn’t floating around my brain right now though. I’ve got the energy to carve up some blocks, but the usual imagery isn’t floating around up in my head.

When I get like this, the answer is just to start drawing. The image at the right is a little sketch to try to work out a seed of an idea. There might be a tree that can grow out of that seed eventually, but not now. I drew it to see if there was something in that image that felt right to me, something I would want to make a finished piece with.

There wasn’t.

Below is a sheet from my sketch pad that is just a smattering of ideas on the same page. Nothing significant, just a few ideas to see if there is some imagery hidden in one of those ideas that I can extract for a print.

Sketchbook page

Depicting the regression to jets.

There was nothing there.

I’ve learned that when I regress to drawing jets, that the imagery I’m working with isn’t going anywhere.

Nothing wrong with jets, they just don’t sop up my creative juices in the way I am looking for.

Also, when I say “there’s nothing there”, what I mean is that the images in the sketches don’t hold any emotional resonance for me. They don’t make me feel anything, other than “that might be interesting”. To me, if “interesting” is the only emotion that an image evokes, that image is not good enough.

So, I go to an old stand by, I draw myself.

sketch of myself on a couch

Yours truly on a couch

This is a nice little pencil study, but there isn’t any juice in this. It may look ok, but there isn’t anything in this image that makes it interesting, or provides a vehicle for meaning.

This is gonna need more work. What do I do?

Actually, I do know what to do. This “woe is me, I am without direction” post is just a set up. I know exactly what to do, and I’ll let you know, just as soon as it’s done.

Drawing the Sierras

Tuesday, August 30th, 2011

I went on a big old long backpacking trip for a week.

I managed to carry a pad of paper and pencils along with me, in addition to clothes, food, sleeping bag and tent (and various other required sundries).

We were in the Eastern Sierra.

I decided to steal an idea from my dad, and combine my notes and my drawings into a single page.

It turns out that most days, I was pretty beat after a day of hiking, and didn’t have a ton of time or energy for much other than setting up camp, getting fed, and falling asleep.

I did get a couple days of drawing in. This first is from the first night:

Big McGee Lake Pencil Drawing

Big McGee Lake Pencil Drawing

This second is after a couple days of hiking, we had a short day climbing up into Pioneer Basin:

Pioneer Basin Upper Lake Pencil Drawing

Pioneer Basin Upper Lake Pencil Drawing

Dispatch: Death to the Unregistered

Friday, April 15th, 2011
PE Warrior

He signs his stamp... in BLOOD

I design things that get built.

Buildings. Pipes. Stuff like that.

I have a stamp, a special stamp, that shows I am licensed to do just this. All Engineer’s in my industry need to get this stamp.

There are many like it, but this one is mine.

This is all a matter of public record, and in fact, that is the point. I took a test (a rather difficult test, mind you), and my performance indicated to the great State of California that I can indeed design things, and that it is ok for people to build the things I design. I know enough that it probably won’t break.

So… I stamp my, uh, stamp on drawings when they are all done, just before they are sent out to a bunch of Contractors, who will all bid for the privilege of building the things I design.

Somehow, with all this jumbling in my head, I ended up drawing this little guy, fully licensed to engineer mayhem.

Engineer's Stamp

His stamp is cooler than mine, he is registered under the “Warrior” discipline, while I am registered under the “Mechanical” discipline. He seems to be registered in the State of Despair, while I am registered in the State of California.

In reality, there are no swords involved with my job, and would probably get fired if I tried to involve them in some way. Or at least, I’d get a stern warning, like when I showed up to work with a green Mohawk (it was Halloween). A sword, like my Mohawk, wouldn’t be welcome back in the office the next Monday.

Regardless, I have this doodle, which I painstakingly posted here for you to peruse.

Also, it is nice to know, in this day of electronic this and that, that my stamp is actually still an honest-to-goodness press-it-against-an-inkpad-then-press-it-against-paper stamp, like back in the good old days.

Christmas Happens

Saturday, December 25th, 2010
Pencil Drawing Christmas Tree

Merry Christmas with graphite and color

Merry Christmas.

Certainly this is the time of year that only comes once a year.

I’m down at my folks house for Christmas, and as visions of sugar plums dance in my head, and my parents bicker about how to do the dishes, I took some of the new Graphitint Pencils out for a spin.

I like ’em. Kind of halfway between graphite and colored pencils. A miracle of modern art technology.

There’s definitely a learning curve to using them, I can’t use them quite like pencil, can’t use them quite like colored pencil. A nice addition to the arsenal.

So here’s a Christmas tree. Or a drawing of one, or whatever.

My nephews are here now, hopped up on good cheer, and the fact that they got tons of presents. Time to go hang with the family.

Merry Christmas to you and yours!

Dancing Through the Devil’s Garden

Tuesday, June 8th, 2010

Note: I spent last week in Utah, climbing and roaming around the desert in the middle of nowhere. These posts are about the things I saw, the places I climbed, and sometimes, the drawings I made. You can also read about climbing Angel’s Landing from the previous day.

From Tuesday, June 1

“This is the most beautiful place on earth.”

— Edward Abbey, speaking about the canyonlands of Utah, near Moab

I packed up camp Tuesday morning and started the 6 hour drive to Moab.

Dark Angel Arches National Park

Dark Angel, at the end of the Devil's Garden Primitive Trail loop

Moab is a small city in southeastern Utah about 3 miles from the entrance to Arches National Park. From what I can tell, the primary business is catering to people visiting Arches. There are restaurants, stores selling trinkets, and all sorts of “outdoor, adventure” themed hotels.

Just before Moab, I turned up the 128 to drive along the Colorado river and find a campground. I pulled into the first one I found, Goose Island Campground, pulled into the first available site along the river, paid my fees, dropped off a chair and tent, and headed for Arches.

By the time I got to the Park, it was late in the afternoon, about 3pm. Perfect time to start a long hike. I drove the windy road through Arches, past the paved lookout points and easy, 0.3 mile paved “trail” around Balance Rock, and finally got to the end of the road, Devil’s Garden trail head.

The first mile or so are an easy, well marked trail — essentially a developed dirt road. There may even be asphalt under the rocks, dirt, and sand along the trail. This ends at Landscape arch, and it is here that I went the primitive route.

Devil’s Garden is named for it’s fins. The rock has eroded in to leave long, narrow, and closely spaced walls of rock emerging up from the ground. This leaves tall rock walls, with deep, narrow canyons in between.

It is not unlike a pod of giant rock sharks, with huge dorsal fins, swimming impossibly close together, just underground, with only their rock fins in layers of brown, orange, red, and white sticking up above the earth.

Devil's Garden Arches National Park

The outskirts of Devil's Garden

These fins captivate me in a way I can’t quite explain. I think it is a combination of their orderliness, their giant size, and their peculiarity that intrigues me.

The primitive trail followed a sandy trail away from the main trail, towards the Garden. Soon, I was coming to the outskirts of the fins, and detoured from the trail to walk up one of the fins.

The fin I climbed sloped gently from the ground, and I quickly made it to the high point on the far end. The wind was blowing hard, and I broke out my pad and pencil to sketch out the neatly spaced walls of rock that were in front of me.

I sat on top of this rock, drank some water, ate a granola bar, and worked with my pencils for half an hour or so before turning around to climb back down.

Devil's Garden Pencil Drawing

Pencil Drawing of the fins of Devil's Garden

Soon after I rejoined the trail, it led me into one of the canyons between fins, and before I knew it, I was climbing up, through valleys, over large rocks, scaling sloped rock walls, and generally working my way far back into the middle of nowhere while weaving my way through this rock garden. Climbing Angel’s Landing the previous day made me much more confident on rocks, and I leaped, climbed, scaled, and lifted my way through this magnificent Garden.

I had the trail mostly to myself, I only came across one or two other groups of folks on my way. The solitude was peaceful, and I was able to focus on my footsteps and push myself along at a reasonable pace. The Devil’s Garden trail ends at Double-O Arch, and meets the main trail out to that Arch, which I took back.

But first, I found an Angel.

The Dark Angel is a rock about half a mile past Double-O Arch. It is a tall, dark, pillar of stone that sits out alone, not part of any nearby rock formation. I got to Dark Angel around 6pm, it was time to take a break. I got out my pad and pens, to draw the angel. I figured that if anything was worthy of breaking out the ink, it is the Dark Angel.

Dark Angel Ink Drawing

Ink Drawing of the Dark Angel

As I drew, flies, and other small, winged insects decided to repeatedly see how I tasted. I had to continually bat the flies from my face and arms.

Eventually, it was late, I was done drawing, and it was time to head back.

I took the main trail back from Double-O Arch, though it was about the same difficulty as the Devil’s Garden trail, just a shorter, more direct path. I made a few detours on the way, Navajo Arch, Partition Arch (which was so nice I would come back in a couple days), Pine Tree Arch, and Tunnel Arch.

As I walked back I thought about the Dark Angel, how it was so different from most of the other rocks out here. It sits apart from everything else, it is at the end of the most remote trail here. In a park of arches and fins of rock, it is a pillar, tall and erect, standing on its own.

I started to think of the Dark Angel as the mighty king of these canyonlands, and all of the Arches as his queens and concubines. I’m sure I can’t be the first to notice this obvious symbolism.

The sun was low in the sky when I got back to the trail head. I drank some water, and started the long drive back to camp. By the time I reached my camp, the sun had set, it was getting dark, and I was starved.

I made dinner in the dimming light, sausages and a can of split pea soup. By the time dinner heated up, I was using a flashlight to see what I was eating. I rolled out my mats and blankets in to the back of my truck, and went to sleep, under the stars, a dozen feet from the Colorado River.

Next: Threading the Needles