Posts Tagged ‘Engineering’

When the Going Gets Tough

Monday, December 20th, 2010

The tough doodle in lunchtime meetings.

Engineer looking at BIM model

The future is now

Today’s meeting was about Building Information Management (BIM) software. It is the hip new thing to do in the engineering design profession.

BIM is a digital “smart” model of a building. The walls act like walls in the model, the lights act like lights, plumbing acts like plumbing, and all this info can be used to see how the building works. It’s a lot like when Tony Stark uses his neat 3-D computer to design his new Iron Man suit, except it’s not nearly as cool, there are no special effects, and we’re not billionaires.

The industry seems to be both awestruck and frightened at the amazing power of BIM. Some people think it will be amazing, some people are hesitant of the added liability and the increase of the adversarial relationship with contractors that BIM will create, and others think it is kind of silly to spend a lot of time building a 3-D model of something to then create a bunch of 2-D drawings of that thing. No matter what, it’s coming, whether we like it or not.

So my little doodle is Mr. Engineer with his building model. Here are a few things to think about as you ponder this drawing:

  • Note the look of shock and awe on his face as he gazes on his building model!
  • The building model is blue, and since we know from Tron that blue computer constructs are good, and red computer constructs are bad, this model must be good.
  • Boring haircut and pleated pants. Engineers are a pretty square lot with no fashion sense, after all. He might make a good husband though! (meme credit Dave)

When you doodle a goofy little drawing in a sketch pad all through the meeting, everyone wants to see what you drew when the meeting ends. That totally doesn’t add any pressure to make my doodles of the highest quality, or wonder how people will judge me and my art.

The mines have had precedence the last several months. Time to dust off the chops, or whatever.

Engineer vs. Artist Smackdown for Control of My Mind

Tuesday, July 20th, 2010

The more work I do as an engineer, the less work I do as an artist.

I do, essentially, have two jobs.

From 8-5, Monday through Friday, I am a Mechanical Engineer, licensed by the State of California and everything.

I design very practical things in practical ways. If you ever go to the bathroom in Yosemite Valley, your waste most likely leaves the valley through my pump station. A few of you might drink tap water from plants I helped design and build.

Right now I’m busy designing the replacement heating, cooling, and ventilation systems for a large helicopter repair hangar. Last time I was at the hangar it was full of partially disassembled Blackhawk helicopters. Cool!

When I say “busy”, I really mean “really busy”. I took Saturday off last weekend, but was in the office for 13 hours on Sunday. The weekend before I put in about 25 hours between Saturday morning and Sunday night.

Deadlines are keeping me this busy, I have a lot to get done, and not quite enough time to do it all. Still, It needs to get done. Not doing it isn’t really an option.

For the last few weeks, my mind has been calculating pressure losses, looking up electrical load data, sizing ducts, and drafting equipment details.

It is left brain work, and when I get home, I have nothing left, and nothing goes right.

There’s a painting I started 3 weeks ago sitting on my work bench next to my desk. The paint on my pallette has grown a thick skin that I will have to eventually scrape off.

Every day, I look at this painting, and then think about how I should work on it, and I am neglecting it. I just can’t wrap my head around it though.

I can’t wrap my head around how to apply paint to the canvas right now, I can’t think about the risks I take with presentation when I paint, or the emotional resonance I may be trying to capture.

It’s a good thing, that I’m stuck in my left brain right now. I need my left brain, at least until the end of the day when this project submittal goes out.

I don’t just get stuck in left field though. The same thing happens on the right.

When I start digging into art, and get deep into my right brain activities, I have a hard time switching gears to crank out some rough and dirty engineering work. My job suffers when I am productive at night making art.

It’s quite a conundrum!

I think that the answer is to focus on the more “left-brained” stuff during the week. I can prepare paper, edition prints, even print during the week, keeping it nice and left. No creative stuff though. No image development, no painting, no “artsy” stuff. Keep it analytical.

Friday night, switch gears and swing out to the right for the weekend, and let myself hang out in that mode for two and a half days.

I think I have been trying to switch gears too fast, faster than I am naturally capable of.

Anyway, I’ll test this out, and see how it works for me.

I’m a Printmaker, Not an Artist

Friday, March 26th, 2010

Artists get show horned together, as if we are all the same.

It doesn’t matter what subject or what medium, society thinks we are pretty much all the same thing.

Painter, sculpture, illustrator, printer, photographer, all the same.

Luckily I don’t remember specifically who I am going to pick on next, it was someone in Blogistan, or on the Twitter Show. This person was pimping out their “art training”, and from what I could see, all artists got the same training.

We’re not the same though. The skillz required to create a great painting are quite different from the skills required to make a great sculpture. Illustration, yet other skillz. Printmaking? Forgeddaboudit.

There are some basic skills that each of these different types of artists must have, but after those skills are worked out, the skills become wildly different.

I got to thinking that an artists medium is sorta like being a specific type of engineer. Nobody would offer the same training to both a Mechanical Engineer and a Structural Engineer.

A little digress, In the Spice Mines (my term of affection for my DayJob), I am an Engineer. A Mechanical Engineer in fact. I work with Electrical Engineers, Structural Engineers, Civil Engineers, and Architects (sigh) on a regular basis.

We all had the same foundation training in math and science, but the details of what we know are very different. I know enough about each of these to get by (480 volt 3 phase! #5 @ 12″ on center!), but the specialization between fields of engineering is rather different.

Electrical Engineers are concerned with voltages, power, and signal; Mechanical engineers concern themselves with pressure loss and heat gain; Structural Engineers think about shear stress and moments; architects concern themselves with getting their latte right.

Nobody would offer the same training to each of these types of engineers.

Why, as artists, are we offered the same training, wrapped as “artist training”?

I think it is because we think of ourselves as artists first, and our medium second. Contrast this with engineers, who think of them self as an Electrical or Mechanical Engineer first, and an engineer in general second.

I’d like to see artists identify with their medium first, and as an artist second.

“Artist” has too much stigma. Too much baggage.

“Artist” doesn’t capture the very different skills required to produce very different art.

I am a printmaker. I am a painter. Sometimes, an illustrator. I am not a sculpture, or a photographer.

Does this make me an artist? I guess, but after the above, that is just a trifle.

Why Printmaking? (A Study in Polarity)

Thursday, October 29th, 2009

Why don’t I just paint, or draw, or sculpt, or something like that?

It might be easier, and less time consuming. I might be able to whip out art much quicker. I wouldn’t have to explain the difference between printmade original art and industrial produced prints of art (ie. posters).

I love printmaking because the process of creating the print is so relevant to the final product. Of course, the process of every type of art impacts the final work of art that you make. How the paint is manipulated on the canvas decides how the painting will look, how the metal or clay is moved, welded and joined decides how the sculpture will look.

With painting, drawing, and sculpture, the work done has a direct impact on the final result. Printmaking is a little more indirect. The artist carves a block of wood, which is arguably where the talent to create an image comes into play, but then that block is printed, which is more of a technical process than an artistic one.

The process of transferring the ink from a printing plate or block to paper is very technical. It requires precision and proper methods.

Printmaking requires two sides of me: the artist and the engineer.

The artist in me creates the image, decides how it will look, carves the block, decides what colors should be used, and what feeling or thought I want to put into the finished art.

The engineer takes over to figure out how to mix the inks, how transparent the ink should be, how to line up the multiple blocks so that the print registers well, how much pressure is required to transfer the ink, and how much drying time is required before the next layer of ink is applied.

Both parts of this process interest me, and engage me. In order to make a print, I have to engage my creative side, as well as my technical side, and so I feel much more balanced when creating prints.

Printmaking engages these two sides to me like no other method does. Painting, and even drawing to a degree, are much more of a purely creative endeavor for me, and my paintings tend to be more emotionally charged than my prints, because painting does not require the same balance of my different ways of thinking like printmaking does.

This makes a little more sense knowing that by day, I am an engineer. I am registered as a Professional Mechanical Engineer in California, and spend my days designing water treatment and utility systems.

My job is all technical all the time, so I need art to create that balance in my life between those two poles. As a printmaker, both of those poles have to work together to create my final product.

That’s why printmaking is such good stuff.