Archive for May, 2010

Dispatch: Screw this, I’m going to the desert

Saturday, May 29th, 2010
Utah Desert

I'll be somewhere around here

Working too much can do strange things to a mind.

In my case, it made me think that driving to the middle of nowhere (aka “the desert”) for a week was a good idea.

I still think it is a good idea. I made a quick pit stop with the family in Southern California today, and tomorrow I’m driving the Invinci-Truck out to Utah. I’ve got food, a sleeping bag, a couple sketch books, and my freshly cut mohawk. That should be enough.

The plan is… well, I don’t really know what the plan is. I’m driving to Zion tomorrow, and I’ll stay there a day or two, then move on to Canyonlands.

It will be me, the desert, and my thoughts. I need a reset. My mind has been cluttered with stuff, and I need to let it go and start fresh.

I really have no idea what I’m doing.

Somehow, however, I know this is the right thing to do.

Talk to y’all in a week, maybe I’ll have more to say about it then.

Comments are open, but I won’t be able to reply till I get back in early June.

UPDATE

Dave wants a debrief. You can find out what happened on this trip here:

The 101 Woodblock Printmaking Project

Saturday, May 22nd, 2010

The 101 Woodblock Series was created when acted on the knowledge that the only way that I was going to be satisfied with life is if I actually made art, something that I have known is important to me.

101 Woodblock Series - Number 1

101 Woodblock Series - Number 1

For years, I let things like having a “real” job and working get in the way of creating art. I still have the job to pay the bills, but making art is what actually give me satisfaction.

They always say that you should follow your passions and do what you love to do, but after I finished up college and entered the workforce, that passion got put on the back burner.

It’s been sitting there for years, and I did my best to ignore it for a long, long time, but I finally got to it. I realized that I am not actually going to make anything in this world unless I, well, make something in this world.

I decided that the best way to get to it would be to create One-Hundred and One woodblock prints. Each would be different, and this project would slingshot me back into the habit of making art.

I do this because it feels right to do this.

I have finally felt, in the last few months since starting this project, like I am doing the right thing with my time, and with my life.

So what is the art about?

I like to combine plants and organic growth with graphic design shapes and mechanical stuff, like gears. The 101 Woodblock Series is largely about the designs and images that I can create by combining imagery of plants, flowers, gears, machinery, and abstract, graphic elements.

101 Woodblock Series - Number 3

101 Woodblock Series - Number 3

In some ways, I think that the art is about a combination of peacefulness and diligence, peacefulness from the imagery that comes from nature, and the diligence of mechanical function. In some way, this imagery mirrors the creative process of printmaking, which combines artistic creativity with the craft and skill of the printing process.

What is a Woodblock Print anyway?

These prints are all made by the process called relief printing. Often blocks of wood are used to print from, but blocks of linoleum are also used (especially when your local art store doesn’t stock woodblocks).

The block starts out nice and flat, and certain portions are carved out of the block. When ink is rolled onto the carved block, the roller only touches the portions of the block that were uncarved.

The ink is rolled onto the block, then the block is pressed against paper to transfer the ink. Each color on the final print requires a separate block to print. This can be quite a few blocks per print!

A woodblock print requires both the art of creating an image, balancing the colors and making all of the artistic decisions that an artist might with a painting or a drawing, as well as the craft of printing. The blocks must be aligned, the color mixed correctly, applied to the block smoothly, and transferred to the paper evenly.

101 Woodblock Series - Number 15

101 Woodblock Series - Number 15

Art Up For Grabs

The prints in this series are currently available to Insider Newsletter subscribers only. Insiders get the opportunity to purchase one of these prints for my costs to make and ship them. I’m only charging enough to cover my costs for the paper, ink, and blocks that are going in to making these prints, and for the cost to ship it to you.

This offer is only going to last until the series is done, and then the price for all of the prints in this series will increase. If you want to get a piece of hand-printed original art for about the cost of a sandwich and a soda (at least in Downtown San Francisco), click here and sign up for the Insider Newsletter.

UPDATE, 7 Feb 2010: This project is done. The low price is going to remain until mid to late February, then the price increases.

UPDATE, 22 Feb 2010: The promo time period is over, and these go to full price.

The Details

Each print is:

  • Hand inked and printed on Rives BFK paper
  • Completely unique. No two are exactly alike.
  • paper size: approximately 11″x15″
  • image size: 9″x12″
  • Shipped in a large flat envelope between rigid cardboard

For more information about this series and how to add one of the series to your collection, sign up for the Insider Newsletter.

UPDATE, 18 Jul 2020: These aren’t really for sale anymore. But, you know, thank you.

Self Portrait Painting for the Recharge

Wednesday, May 19th, 2010

I always return to painting self portraits.

There is certainly the practical reason. It is hard to find someone willing to sit in front of me for 6 hours at 10pm on Sunday night, but I always seem to be willing.

That’s not the complete story though.

I’ve never been much of an intellectual artist. When I make art as an intellectual exercise, or to express an intellectual concept, it falls flat. In my mind, intellectual art is better served by the craft of illustration, using line to exactingly express an idea, fact, or concept.

Art works for me when it comes from emotion. If you tie me down and force to tell you what art is, and I will tell you art is turning emotions into images.

I have a hard time expressing emotions. I don’t talk about how I feel, or write how I feel, it doesn’t work. I’ve been told I have walls to guard my emotions (in one of those delightful now-that-we-are-broken-up-i’ll-tell-you-what-i-really-think-of-you conversations).

Self Portrait II oil painting by Sean Neprud

Self Portrait II, Oil on canvas, 12x12

Painting how I feel works, however. Imagery can represent how I feel in ways I don’t know how to communicate otherwise. This is, I think, why I make art. If you want to understand me, understanding my art will get you well over half way there. The art that best translates my emotions into an image is usually my best art.

Self portraits connect me back to the basic reason that I make art. When I stare myself down for hours at a time, I can’t avoid how I feel. This becomes the fuel for my self-portrait paintings. The paintings themselves don’t always hold the charge of emotion, but the process does.

I whipped out this painting you see here on the left because I felt stuck. (Being stuck seems to be going around.) I wasn’t sure what I should be doing with my art, or where I want to take it. I had no idea what images to make.

I’ve had some ideas, but nothing that really gets to the heart of what I mean to do. One of my recent “good ideas” involved roly polies. The other involved my truck. Not exactly high impact. I had decent reasons for these ideas though. Kinda.

As I worked on this painting, I was able to wrap my head around my art, and what I should be doing with it. I rediscovered what is important to me, and I have an idea which direction to move in, even if I don’t know how exactly it will show up in my art.

I know I can revisit self portraits when I need a kick in the right direction, or to figure out what is going on inside. It works.

Dispatch: Watched By Monsters

Wednesday, May 12th, 2010
Velociworker pencil drawing

Velociworker is behind you

Sometimes work is a big monster, right behind me, ready to tear me to shreds. I was busy and productive yesterday, I worked until I couldn’t focus anymore. By the end of the day I would read a paragraph only to stop at the end and realize I didn’t actually comprehend a word I just read.

Focus will tear your mind to shreds.

I had half an hour this morning to draw, and this came out. What a nice quick pencil drawing, yes? I have no idea what exactly it means or why this came to mind, but it made sense somehow.

Who knows. Work today made me think of drawing something much more vulgare, maybe I’ll get to it tonight.